I got interviewed by the Kernersville News, the local newspaper where I live last Tuesday. It's a three times a week paper still pumping out local news on paper. I was initially contacted by Jennifer, the lifestyles editor in mid-September, and since I hardly use email anymore, I didn't see the email for two weeks. But I replied, figuring I wouldn't hear back. But I did, and I took several of my drawings to their office for the interview last week. I was expecting a 15 or 20 minute interview and maybe a single photo in the paper, along with a few column inches of text. Very much to my surprise, the article ran last Thursday, October 20, 2016. It started on the lower left front page and covered nearly the whole back page of the first section. A couple Facebook friends expressed interest in it, and I looked it up online only to find just the title and one sentence. So I'm going to type the whole article here for those of you online who want to check it out. Big thanks again to Jennifer Owensby Eminger, Kernersville News Lifestyles editor, for finding my Go Fund Me page, and deciding to interview me.
Here's the article as it appeared in the paper:
This blog is about 7-8 years old ( in 2023), and I have a new blog now, check it out! I had no idea this blog was still getting quite a few views, please go to
Creative Scenes Artist Steven Emig using artwork to help fund publishing a book
By Jennifer Owensby Eminger/Lifestyles Editor
Despite having struggled as an artist and writer and having lived in homelessness for several years, local artist and writer Steven Emig has seen the world of action sports through working for magazines and TV production. He is using his artwork to help fund publishing a book about how creative scenes turn into an industry.
Emig grew up in Ohio, living in Boise, Idaho and California for many years, before settling in Kernersville in 2008. With aspirations to be a professional BMX rider and writer for a magazine, Emig learned how creative scenes can help build local economy. Along the way, he has struggled to make ends meet, but he continues to do what he enjoys - art and writing.
Emig explained that his father was a design engineer, having started out as a draftsman, so naturally Emig has always been interested in drawing.
"My father taught me how to draw," he said.
Having grown up in the 70s and 80s, Emig got into BMX bikes and enjoyed riding with kids in his neighborhood.
"We always tried to outdo each other." he said. "One day, we found a BMX race track. They were having the last race of the year. We raced and came home with trophies."
The next year, he started getting more into freestyle BMX riding and said it became his life. In 1985, his family moved to San Jose, California where there was a big BMX freestyle scene.
Along with riding BMX bikes and drawing, Emig took an interest in writing and began writing zines (self-published miniature magazines), which he learned about in a freestyle magazine.
"It's pretty much what bloggers did before blogs," he said.
After his zines got noticed, Emig became more popular and eventually landed a position at Wizard Publications. Over the years, Emig moved around to different jobs in the writing and production industry, having written articles and helping produce low budget films in the world of action sports, but never catching a break.
He shared that he has worked behind the scenes on shows such as American Gladiators and Cirque du Soleil.
Emig got out of the TV production world in 1995 to find a more stable job, moving furniture.
"You are always working on other people's ideas and I was getting sick of it," he said.
Eventually, Emig decided to get back into the industry and joined a lighting company, but when he began struggling to make ends meet again, he became a professional taxi driver for about five years. Eventually, Emig said he became homeless and ill.
"I ended up living out of my taxi because I was struggling to make ends meet, working 16-18 hours a day," he said.
Having lost his way in art, Emig said his passion for art began to come back when a friend offered him a place to sleep in an art gallery, where he lived for several months.
"It was an underground indie art gallery called, AAA Electra 99," he said. "I hadn't done anything creative in a while, but it was while I was living there for a month or so that I came up with my scribble style."
Emig explained that he drew some pictures for his niece and nephew in Greensboro and for his mom, who had moved to Kernersville.
Emig said during his downtime working as a taxi driver, he got really into drawing, reflecting on musicians and BMX riding. Having gotten his passion back, Emig said he once again fell into despair when his long days of sitting caught up with him and he got a bacterial infection and was hospitalized.
"Driving a taxi, you sit too much and end up eating a lot of fast food," he said.
After walking out of the hospital with $15 to his name and unable to find a job, Emig said he ended up panhandling for about a year, until his family encouraged him to move to NC.
"I had all this experience writing and working in TV production, but on my resume there was a gap (where I had worked as a taxi driver)," he said.
In 2008, Emig finally moved to NC and has since been engaged in his artwork and blogging about his experiences. He explained that initially he began drawing in black and white with pencil and then pen and ink, but has since moved to the use of Sharpies, which he turned to in 2005, using a scribble design.
Having experienced working in TV production and magazines, Emig is also working on writing a book and has started a GoFundMe page in hopes to getting help with funding.
"I have started a GoFundMe page, and right now, I am trying to write a book about how creative scenes eventually attract big industry. I've been in a lot of these scenes throughout my life and have seen how they attract business," he said.
Emig is selling his art for $100/drawing and is giving his artwork away to people who contribute to helping fund his book. He is also selling zines about his book for $5 to give people an idea about what to expect from the book.
Emig noted that he can also create a drawing for anyone interested in having one made.
"I work from photos. I look at a photo and get a basic outline and then start scribbling ans shading," he said.
While Emig does work from photos, he said he is not great at re-creating faces unless it has heavy shadows," he said.
"I really like making drawings with heavy shadows," he said.
In each color on his drawings, Emig said there are actually four or five colors with different thickness of the Sharpie point.
"I almost always start with out with orange, lime green, or yellow and usually end up with the opposite color," he said. "That's how I am able to do the shading."
Having been homeless and fearing he might die, Emig said the biggest lesson he has learned is, "Figure out what's most important to you and do it as much as you possibly can, because you never know how much time you have left on Earth."
I've put myself on a blog diet, and I'm down to one blog... really. Steve Emig: The White Bear
You can find my newer stuff there.
Ron Wilkerson's 2-Hip King of Dirt at Mission Trails near San Diego in the spring of 1991. We were deep in the grips of the 1990 recession, BMX was "dead" according to the bike industry. Only the hardcore riders were left. And this happened. Personally, I consider this the first Mega Ramp. None of us had seen a huckfest like this before. It was one of those contests where we all walked away knowing that much, much more was possible on a BMX bike. This is footage I shot that was later used in the S&M Bikes video Feel My Leg Muscles, I'm a Racer.
My current blogs: Steve Emig Art
In 2005, while actually living in an indie art gallery in Anaheim, California I developed a way of shading with Sharpie markers I call "scribble style." As far as I know, no one else in the world uses this particular technique.
How to Make Your Lame City Better, Part 1
This blog is where I'm exploring ideas in public which I will ultimately self-publish in a book. The theme is about why creative scenes (art, music, film, action sports, etc.) are a major force in today's economy, and how to build, nurture, and enhance those scenes.
Cash Poor Story Rich
I've got lots of stories from the early days of BMX freestyle, working on TV crews, being a taxi driver, and being homeless. This is where I put those stories.
Steve Emig Thinks
Every once in a while I write a post about current events or ideas.
Check Out Downtown Kernersville
Kernersville, North Carolina, where I currently live, has a cool little scene of shops in the old downtown area. Since I'm working on a book about creative scenes, I realized I needed to blog about the one closest to home.
My four best known BMX freestyle videos
44 Something
Made for S&M Bikes, 1993, I produced and edited the video. Total budget, about $750 including beer money, the video sold about 8,000 copies, one of the best selling BMX videos of all times. 44 Something was named one of the Top Ten BMX videos of the 90's by BMXPlus! magazine.
The Ultimate Weekend
This is my 1990, completely self-produced BMX freestyle video, featuring about 40 top riders. Along with Eddie Roman and Mark Eaton, I was one of the first three BMX freestylers to self-produce videos, pioneering a major trend in action sports. I'm in the intro doing a wall ride over my sister's head, and wearing the Vision Street Wear T-shirt riding the Nude Bowl much later.
Feel My Leg Muscles, I'm a Racer (1991-sections) Chris Moeller Dave Clymer Alex Leech Jimmy Levan
This 1991 video the I produced for the fledgling BMX bike company S&M Bikes. The company was being run out of a tiny, one-bedroom apartment in Huntington Beach, California at the time. I edited the video with my camera and a VCR, sitting on the floor of that apartment with a 40 of Mickey's. Crazy night.
2-Hip BHIP
This is the 1988 2-Hip season video that I produced for Ron Wilkerson, pro freestyler, contest promoter, and later founder of Wilkerson Airline Bikes. I made this in early 1989, and the original title was 2-Hip-The '88 Adventure. I made $500 for editing this video, which I immediately sent to my sister who needed money at college.
A few random video clips I'm either in or had something to do with
In this 1986 clip of Maurice Meyer and the Golden Gate Park freestyle scene, you can see me chasing my bike at 5:07. Seriously, that was a trick back then, mostly used to make people laugh while riding in parades, I'd jump off my bike, run after it frantically, then jump back on at speed.
My video career began in the summer of 1987 when I worked at the American Freestyle Association, writing their newsletter and doing a bit of everything for $5 an hour. My boss, Bob Morales walked in one day and said, "I just found out I can buy local spots on MTV for the Austin contest for $25 each, do you wanna make a TV commercial?" After producing that really bad commercial, I got the job of producing flatland and ramp videos from three of the contests we put on that year. We only sold about 30 to 50 of each of those six videos. But somehow, a handful of clips from those videos made it into the BMX documentary Joe Kid on a Stingray many years later. I had absolutely nothing to do with the documentary, but the shot of Mat Hoffman at 2:17 in that trailer, and the shot of Kevin Jones right after that, are from those early AFA videos I made.
I edited this video of the first 2-Hip Meet the Street contest in Santee, California, and you can see me ghost ride my bike into the big wall at 3:07. This was one of those contests that changed riding forever.
As luck would have it, I was on the deck shooting video during Mat Hoffman's first 900 on a bike in 1989 in Kitchener, Ontario Canada. I'm on the opposite of the ramp wearing black and white splotched Vision Street Wear "cow" pants with the big betacam video camera.
In this clip of Joe Johnson at Wooward BMX camp in 1989, you can see me shooting video. I'm on the near end of the right side of the vert ramp, white shorts and a white Vision Street Wear T-shirt, with the big betacam on my shoulder. I think Joe was still an amateur at this point, and he and Mat Hoffman battled it out every contest. You see Joe pull the first double tailwhip in a vert contest near the end of this clip, and then try a triple tailwhip. Joe was way ahead of his time.
Here's another 2-Hip King of Vert contest in Colorado in the summer of 1989. I'm shooting video, on the far side of the left deck with the big betacam. Mat Hoffman stopped being The Condor and became Thor for this contest. I never did find out who was making up the rider's nicknames on the scoreboard.
2-Hip Meet the Street contest at the legendary Brooklyn Banks, 1989. that was one of those contests that stands out in everyone's mind. I'm somewhere on the ground, in the chaos, shooting video for Vision with the big betacam. The reason that contest is really memorable to me is because Vision rider Rich Bartlett and me shared a room. We let a few guys crash on the floor of our room since money was tight. Those guys on our floor included Dennis McCoy, Mat Hoffman, Steve Swope, Rick Thorne, and a couple other Kansa City riders. Just riding Manhattan with those guys was insane. Oh, and the contest was pretty cool, too.
Tom Petty's "Freefallin'" video, 1989, I think. I had nothing to do with making the music video, but since they used the Vision Skateboard's mini-ramp, and I worked for Vision's video company, I got the job of shooting behind the scenes footage all day. Fun day, craft service table and no stress. Tom Petty's a cool dude.
In this clip of skater Ken Park, from the 1989 Vision Skateboards video, Barge at Will, you can see me sitting in the background a few times wearing all white. This was shot at Tony Hawk's Fallbrook house, and I had lunch with Frank Hawk, Tony's dad that day. Good day.
In early 1990, Unreel Productions was dissolved, and I was moved into the Vision Skateboards main office. But I had one last project before we cleaned out Unreel's $500,000 edit bay. Legendary pool and street skater Christian Hosoi teamed up with Vision for a new company called Tuff Skts. I spent three days hanging out and shooting video with Christian and his guys, and then I went back and edited a 7 minute promo for the company. The women in the Vision promotions office said that my video made Hosoi and his guys look like a bunch of hoodlums. I replied, "They are a bunch of hoodlums, but they're great skaters." So I cut the 7 minute promo down to four minutes, using music from Bad Brains and Muddy Waters in the background. I lost my copy of the Tuff Skts promo, so here's the only surviving version, shortened even more with crappy music.
Mat Hoffman's 360 over flaming cars on Stuntmaster's. This one still kind of amazes me. In 1991, I was working at my first real "Hollywood" job, a PA at GRB Motorsports, an offshoot of GRB Productions. My office was working on that season's Supercross and Monster Truck shows. But at the main office worked Johnny Airtime, the motorcycle stuntman who spanned the years between Evel Knievel and Seth Enslow. After the Mission Trails contest at the top of this post, I sent Johnny footage of that contest through our interoffice mail. He freaked over it, called me up, and we brainstormed a BMX stunt on the phone. I was trying to hook up my roommates Chris Moeller or Dave Clymer for the stunt, but Johnny brought up Mat. Things in the TV world always get changed, but somehow this stunt happened just like the original idea, even thought I moved on to another job and didn't know it until a couple years later.
Wesley "2 Scoops" Berry versus Kyler Storm on Swingshot on American Gladiators. If you pause this at :24, you can see me on Wesley's tower in the background. Hey, when you're a crew guy, you're not supposed to show up much. I worked four seasons as a spotter on the show, two years as the head of that crew. It was a really fun place to work, though we worked really hard doing the biggest set changes in the history of TV at that point, 7 times a day. By the way, Wesley Barry is undoubtedly the best athlete I've ever worked with.
Long before Game of Thrones there was Knights & Warriors... which pretty much sucked. Yeah, it didn't last long, but I was also a spotter on that show. I'm probably in the background somewhere, but I'm not going to watch the whole thing to find myself. Interesting note, Lady Battle Axe was played by Dot Jones, the funniest woman I've every met. She went on to play Coach Bieste in Glee a couple years back.
Keeping with the theme of goofy 90's competition shows, I was also a spotter on Blade Warriors. We're the guys in all black with the crash pads throughout the obstacle course. The best thing about this show was getting to work early and skating the ramps.
In 1993, while living at the crazy P.O.W. BMX House, I opened the newspaper a couple weeks before rent was due to find a quick job. I answered an ad for some new circus. It was the first Orange County, California appearance of a fledgling French Canadian circus called Cirque du Soleil. I got a job in the box office, a converted semi trailer that housed about 15 people, where we sold all the thousands of tickets for the run. As soon as I saw the actual show, on dress rehearsal day, I was an instant fan. Cirque came to Orange County every 2 to 3 years, and I worked on Saltimbanco in 1993, and the next four tours through O.C.. Those were Allegria, Quidam, Dralion, andVarekai. Cirque du Soleil is not only the most creative group of people I've ever worked with, by far, it's the best run business I've ever seen. For all you old school BMXers reading this, the guy in the big wheel at 1:20 in the Quidam promo is Chris Lashua, old school Northeast freestyle pro.
Sometimes fate just puts you in the right place at the right time. I was standing at the bottom of the ramp, talking to old school freestyler Maurice Meyer, when Tony Hawk landed his first 900 at the 1999 X-Games. THAT was an amazing moment to watch.
In the spring of 2000, I was living in my taxi in Orange County, California. After a bunch of taxi drama, I took a solo road trip up Pacific Coast Highway to the redwoods for a week. It was awesome. I stopped at Denny's in Huntington Beach for a good meal before I went back to taxi driving. I overheard some guys at another table saying they needed to find someone to build skateboard ramps for a movie. With no home, no tools, and little money, I walked over and introduced myself. I wound up getting the job to make a couple of big launch ramps for the horrible Christian propaganda movieExtreme Days. I built the ramps the next day using borrowed tools in my old roommates' driveway. I worked through the night out of a Uhaul truck behind a grocery store in Studio City to make the 5 am call time the next day. I made $500 in a couple days, got a day on the set with free food, and some Powell Peralta skater ollied a dumpster and the actors in the VW Thing car from my ramp. The movie totally sucked, but may be historic as the first Christian movie to have a three minute long fart lighting scene.
After a couple years of furniture moving, I got back into the entertainment industry with a job at a lighting company called ELS. I worked in the warehouse mostly, prepping lights to go out to films and TV shows, corporate parties, or concerts. Every once in a while I got to go out and work in the field. Two times that stand out are the day I spent working on the set of Viva Rock Vegas, the second Fred Flintstone movie. I spent a very hot day inside the giant hamburger in Bedrock, setting up lights for a Flintstone fashion show that was hyping the movie. Man I wish I would have had a camera with me that day.
I got called later to work tearing down after the Harry Potter and the Chamber of Secrets movie premiere. Emma Watson's plane was late, so I made an extra $32 while sitting on a road case and eating tacos waiting for her to show up. Thanks Emma.
At one point, I decided to try to get into film work, as opposed to TV production. So I bought a list of names of producers from an ad in the Hollywood Reporter, and I cold called the list looking for work. About ten names in, a woman told me, "We need PA's (production assistants) in downtown L.A. tonight, how soon can you get there? I got there in an hour, and worked 17 hours straight on a music video. I'd never even heard of the singers. That night they shot the alley fight scenes in the rain for K-Ci and JoJo's "Crazy." My job was standing at the end of the alley and keeping homeless people from walking through the shot. I saw the biggest rats I've ever seen that night, and I made $225. Hollywood is crazy. I planned to keep doing that kind of work, but my car got towed for parking tickets a few days later and I couldn't afford to get it out of impound. I eventually went back to taxi driving.
Here's me getting interviewed by the Winston-Salem Journal for being the first person to draw a picture in the Forsyth Central Library's "Leave Your Mark," project. 2011?
Richard Johnson and AAA Electra 99 Gallery in Anaheim, California. I'm not in this clip, but in 2005-2006 I was the janitor/artist/kitten wrangler at Electra. I drove Richard's taxi on the weekends, and hung out in the gallery during the week. That's where my Sharpie "scribble style" of art was born.
My Three Top Blogs
I started seriously blogging after coming to North Carolina at the beginning of The Great Recession, in November 2008. My first blog was called FREESTYLIN' Mag Tales, and was over 200 posts about my short stint working at FREESTYLIN' magazine in 1986. I followed that up with a blog called Freestyle BMX Tales, which was tales from my days in the BMX freestyle world in the 1980's. I wrote over 500 posts on that blog. Then in 2010, I started a blog called Make Money Panhandling as a joke. I just wanted to see if I could get that title to the top of Google results. I realized, having been homeless for quite a while, that I had a lot to write about the subject. These three blogs together got over 160,000 total page views, and each blog was #1 in the world in its niche. During a dark time in my life, after my dad died in August 2012, I took down all my blog posts, over 2,000 across several blogs. I'm really bummed now that I took them down, but... that's life. Eulogy to my FREESTYLIN' Mag Tales blog by ESPN BMX editor Brian Tunney.
I got a job a Unreel Productions in December 1987, because I spent so much time there working on the AFA videos. Unreel was the video production company owned by Vision Skateboards/Vision Street Wear. I was just a production assistant, doing a little bit of everything, and I didn't have much input on most of the videos. But I was part of the crew that made all these a bunch of videos. Unreel also made the first syndicated action sports TV series, called Sports on the Edge. Back then, when my bosses tried to sell a show to ESPN, the suits at ESPN said, "Nobody wants to watch skateboarding on TV... and what the hell is snowboarding?" They changed their mind six years later with the "Extreme Games" which became the X Games a year later. We at Unreel were ahead of our time. Vision Street Wear commercial (This was shot on the same stage where Motley Crue shot their "Girls, Girls, Girls" video two weeks earlier).
P.O.W. BMX House video... COMING SOON... since 1992. I've merged most of my ideas and blogs into a new blog: The White Bear's Making a Scene You can find my new stuff there.
The BMX jump called the Tabletop was invented in probably 1974 or 75. Thousands of riders have done it since, with many different styles. But in about 1991, Spike Jonze shot a photo of San Diego street rider Vic Murphy doing this super flat, one footed tabletop, OFF A CURB JUMP. That one photo of Vic redefined tabletops. This is one of the great BMX street riding photos of all time, and I had to do my take on it with the Sharpies. I'm really stoked on this one. Sharpies on paper, 18" X 24".
I've never been a huge football fan, mostly because I grew up in Ohio in the 70's where all the teams sucked. But it was easy to start rooting for the Carolina Panthers when I moved to North Carolina several years ago. Back then, it wasn't unusual for them to run the ball on 3rd and 17 and actually convert. They were perennial underdogs.
Last year, quarterback Cam Newton and the crew really surprised everyone with a long undefeated streak and then a trip to the Super Bowl. I drew this picture of Cam, and the Panther picture below in anticipation of another great season. Last year was crazy, so I figured the Panthers would maybe end up 10-6 or something this year. As of yesterday, they're 1-5, losing three of those games very closely. So maybe they're just trying to get the six losses out of the way before going on a streak. Yeah... that's the ticket. Anyhow, Cam's a freakin' amazing player, as are many on the Panthers. Hope they start pulling off the W's the rest of the season. Sharpies on paper, 18" X 24".
In about 1987, my friend Mike started introducing me to a lot of music I wasn't familiar with. He was a walking encyclopedia of punk rock, and The Ramones was one of the first bands he told me about. Some say they coined the term "punk rock" in an interview. In any case, the stripped rock and roll down to its rawest form, and by doing that influenced musicians for decades to come. Once I started looking for things that I wanted to draw, The Ramones was an easy choice. Sharpies on paper, 18" X 24". Hey Ho, Let's Go!
Legendary singer of The Ramones, one of the earliest punk rock bands, dating back to about 1974. The "quarter" word bubble is an inside joke. Ask me sometime and I'll tell you the story. Sharpies on paper, 18" X 24".
Most of you have seen this clip, Ron Wilkerson's 2-Hip King of Dirt, Mission Trails, CA, Spring of 1991. When riders from several different local scenes show up at the biggest BMX jump ever built (at that time), craziness and progression will definitely ensue. This is just one little example of creative scenes that have had lasting influence.
I was a serious geek before I became a BMXer. Within a couple years of getting into riding, I started to notice the different BMX freestyle scenes across the country. Little groups of guys who found each other, bonded over the idea of doing tricks on little bikes, and pushed each other to improve. I've been fascinated with scenes ever since. Since I stumbled into the BMX industry, and then several other creative industries, I've been a part of about 20 different creative scenes over the past 30-some years.
Back to the geek part. I've always been fascinated by what human beings are capable of, and why people do the things they do. Basically, I'm kind of a sociology/big picture thinking geek. Because of that obscure interest, I've read dozens of books the most people don't want to read. As fate would have it, my fascination with bike and skate and music and art scenes has now come together with my big picture thinking. It turns out that in our post-Industrial Age world, creative scenes have become a huge driving force in the economy. Steve Wozniak and Steve Jobs worked together to make a user friendly personal computer in the late 70's and 80's. They founded Apple Computers in a garage, and now Apple is one of the most valuable companies on the planet. A couple of creative geeks built a whole series on industries, which now employ thousands of people, from a simple, creative idea.
Here's one a little closer to home. Bob Haro started riding his BMX bike in skateparks in the mid 70's. He had fun, and eventually invented flatland tricks. After a while, R.L. Osborn and a few others started doing the same thing. A BMX trick riding scene was born. They pushed each other and progressed. Now the bike stunts industry has many genre's and employs people all over the world. A little creative scene turned into something big over time.
A professor of urban studies and economic development named Richard Florida dug into this concept in the mid 90's, and published his findings in his 2002 book, The Rise of the Creative Class. In his view, creativity, not big factories, is the driving force of the economy these days. He talks about the value of creative scenes in his work, but never goes into the details of how art, music, bike, skate, and other scenes form. It finally dawned on me that I was the guy who needed to write this book. So I am. I just started a crowdfunding campaign on Go Fund Me to help me do the necessary work to write and self-publish this book. I've written a 36 page zine, called Let's Make a Scene, that gives a brief, overall view of the ideas I'm working on. Here are some excerpts from the zine:
Page 2- We heard a commotion in the kitchen. Lawan, a short and powerfully built black guy emerged into the living room, wearing his Cunningham football jersey, a pair of boxers, and shaking a spatula like a club. "Aw'ight, who ate my eggs and put the shells back together with peanut butter? he demanded.
Page 4- We all just wanted to live cheap and spend as much time riding our bikes as possible. That was our passion, what we all had in common, and what we loved to do. But in doing that, we created a BMX scene like no other before it.
Page 10- Pretty much any time two or more people get together and use a little imagination and actually do something, that's a creative scene.
Page 12- ... creative scenes are where many of today's good jobs come from.
Page 15- But the "crazy" action sports athletes, punk rockers, and artists created an atmosphere that made Huntington Beach a really creative, entrepreneurial, and fun place to live.
Page 17- In my experience, people who see themselves as creative ALWAYS have a list of future projects in their heads of what they want to do.
Page 20- Everyone thought I was a complete idiot for focusing so much time riding a "little kids bike."But it felt right to me.
Page 27- It's a town where these people get together and cuss and discuss ideas.
Page 28- When you have a healthy "creative ecosystem" sooner or later someone breaks out with a big success.
Page 30- So the musicians started doing it themselves.They learned all the skills necessary to play, record, and promote their music.That's where the "Do It Yourself," or DIY ethic began.
Page 33- He got to travel the world, his goal as a kid. He even traveled outside the world, becoming one of a small group of people to go into space as a tourist, and spend time on the International Space Station.
For $5, I'll send you the zine, and you'll help me work on publishing this idea as a real book in the next few months. Everyone who contributes to my crowdfunding campaign also goes in a drawing to win one of my original drawings. Your choice of the ones I have sitting around. Or the next drawing, which will be of Evel Knievel. Here's my Go Fund Me page. Many of you have read quite a bunch of my 700 blog posts about my Old School BMX freestyle days for free. Now is your chance to help me out a bit. Thanks.
Here's the zine:
I've merged my ideas and blogs into a new blog: The White Bear's Making a Scene You can find my new stuff there.
